The True Nature of a Familiar Song
Categories: Blogs
Written By: Eric Jensen
I’d like to talk for a moment about the song “Have Yourself a Merry Little Christmas.” It’s a good song, to be sure; you won’t hear me saying otherwise. But it’s a real downer of a song, about how this Christmas is really gonna be pretty much a bummer. Or, at least, it’s supposed to be.
See, there are two sets of lyrics used for the song. The changes are small and subtle, but they alter the whole meaning. Now, in my collection I’ve got nine different recordings of the song: versions by Carnie and Wendy Wilson, James Taylor, Twisted Sister, Dave Sevillie of Alvin and the Chipmunks, John Denver and the Muppets, Frank Sinatra, Amy Grant, Linda Ronstadt and, of course, the original version by Judy Garland. Of these, only Judy’s uses the superior, more somber lyrics. (James Taylor’s kind of does, but I’ll come to that in a minute.)
Consider these lyrics as you probably always think of them:
Let your heart be light
From now on our troubles will be out of sight
Let your heart be light
Next year all our troubles will be out of sight
If the fates allow
Hang a shining star upon the highest bough
If the fates allow
Until then we’ll have to muddle through somehow
Oh, yeah, I said I’d talk about James Taylor. What he does is basically split the difference between the two sets of words. He sings:
Let your heart be light
in a year our troubles will be out of sight
From now on
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